KAZUYA ISHIGAMI - 'Trash, Rubbish, Poor Works' CD (Neus-318)
A collection of 10 unreleased works (2004-2006) from the Osaka musician. "The music of Ishigami can best be described as a computer version of electro-acoustic music, true to the original form of Musique Concrete. Collage like, bouncing up and down, back and forth, jumping, but sometimes also with longer sustaining blocks of sound. All of which dwell heavily in the world of ones and zeros. I am not sure but it seems there is not an analogue machine in sight" (Vital Weekly). Released in a plastic snap case.
TOMAS KORBER / KAZUYA ISHIGAMI - 'Mistakes' CD (Neus-318)
Swiss improviser and composer Tomas Korber works with sounds created by Japanese laptop artist Kazuya Ishigami and vice versa. Utilizing Korber’s guitar sounds Ishigami crafts an intriguing electronic world over two pieces - austere electrics, frenzied digitalia, high pitches, bass drones, melodic waves of feedback and rhythmic pulses. Korber meanwhile begins his piece with a static piercing tone that dissipates suddenly into silence. A strategy he continues throughout the piece, building towards crescendos and the then dropping in a block of silence, only to startle with a single resonating tone.
UK 5£
Europe 6£
World 7£
QUANTITY
VA - 'C.U.E. Compilation 3' CD (C.U.E. Records)
Third compilation from Japanese label C.U.E. On this release, the Noise, Minimal, Ambient, Experimental and Abstract music is again by mostly Japanese artists, and is once more 15 tracks: Scanner, Kissa Big Yodo, Sunao Inami, Kazuya Ishigami, Morgan Fisher , Symphony Space, CARRE, Anla Courtis, Morishige Yasumune, Keitaro Iijima, Funaman, Huguet, Atsunobu Tadatsu, Tadashi Usami and Yow Funahashi. Comes in slimline jewelcase. Extremely rare Japanese import.
A collection of 10 unreleased works (2004-2006) from the Osaka musician. "The music of Ishigami can best be described as a computer version of electro-acoustic music, true to the original form of Musique Concrete. Collage like, bouncing up and down, back and forth, jumping, but sometimes also with longer sustaining blocks of sound. All of which dwell heavily in the world of ones and zeros. I am not sure but it seems there is not an analogue machine in sight" (Vital Weekly). Released in a plastic snap case.
