Schloss Tegal began out of discontent with the music
scene in the early 1980-1991 and having personal contact with other avante
garde music groups as Throbbing Gristle, SPK etc. who use technology and
control as their model. [...] The sound evolved from power electronic
synthesis and crude sampling techniques and has progressed into the realm
of intrisic recordings and sound used to create a realism of such degree
that it acts on a subconsious level...
